We all have certain reflexes that we’re born with and that we cannot control. The question is whether the artistic perspective in humans is reflex, instinct or something that we learn along the way. It is vital to determine whether this particular reflex can be manipulated or not.
Exaggerating and abstracting are the main characteristics that we’re doing in our everyday lives, especially when it comes to art. The response we get when we are looking at art comes from the stimulus in our brains which is creating a chemical principle that will allow us to enjoy something visually.
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For instance, Pablo Picasso was the person that decided to reinvent the idea of a portrait by pushing the boundaries of realism.
After months spent in Paris, he reworked the paint, and he still was not satisfied with the outcome. He stopped painting because he saw something that affected him significantly. He got to Spain and started researching and analyzing ancient Iberian art, that features weathered faces of peasants.
That affected his later style, and as soon as he returned to Paris, he added the first mask and created something a manner which is uniquely his. The perspective was different, and face became a combination of dramatic angles.
He did that intentionally with the idea to disrespect the aspects of appearance, and that is the beginning of cubist caricature.
Even though it had an artistic perspective, the painting was not recognizable, which is why Picasso took the most distinctive features and exaggerated them. He used the process of deliberate distortion that will intensify the reality. You can understand him by checking his quote that stated that art is just a lie that can reveal the truth.
It was surprising that these distortions created a more useful perspective to art lovers so that they can decipher what they are looking at, especially if the master executed it. According to studies, we can recognize better parodies of people such as cartoon portraits than on actual images.
The area of the brain involved in facial recognition which is fusiform gyrus responds much better to caricatures than to real faces because cartoons can emphasize features that we use with the idea to distinguish one look to the another.
If you wish to see the biographical information on Pablo Picasso, you should check this link.
Therefore, we have to conclude that abstractions that are creating shift and distortion effects are much more effective than standard portraits. The connection between abstract work and instincts that we are having is tight.
Scientists believe that a wide array of art, from expressionist paintings to old religious sculptures, with outstanding hyperbole are examples that define the artistic process. Therefore, the main idea and job of an artist are to take forms of reality and make them irresistible to a human brain.
Neuroaesthetics is the new scientific field that uses tools of modern neuroscience to unravel and present the perfect perspective of the art. Even though the research is still in the act, it is much easier to study Picasso and hyperbole than other artists that are more realist.
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The primary goal of neuroaesthetics is to learn more about the mind by using artists. Scientists are looking for objective facts in the most individual and subjective place, by using sculptures and paintings as the sources that will provide them with the solution.
The artist is neuroscientist that explores the capacities and potentials of the brain, but instead of using medical tools, he/she uses the art presentation. For instance, Picasso had an understanding of the mechanics of vision which is the main reason why he created a unique expression.
Check this link: https://neuroaesthetics.net/neuroaesthetics/ to learn more on neuroaesthetics.
At the same time, the power of Rembrandt and his self-portrait is also captivating to the mind and an eye, and that is the main reason why we tend to enjoy and gaze in museums for hours. Neuroaesthetics wants to create a precision for studying the art.
And the idea is to find the perfect perspective and reasons as well as mechanisms that allow us to present ourselves artistically.